Archives for November 2011

A Shower for Ashley

 

My sister-in-law, Ashley, got engaged last year and planned a November 2011 wedding. I first met Ashley when my now-husbandtreated her to a two-week adventure travel tour of Costa Rica for her 18th birthday. My friend Jackie had convinced me (coerced is more accurate) to go on the same trip, which is where I met and fell in love with Cory. That was seven years ago,and had it not been for Ashley, I would have never met my husband, so I wanted to do something special for her shower.

I decided to host the shower at my home in California (before we relocated to Connecticut) because I wanted it to feel cozy and informal. Let there be no doubt that I worked my ass off on this. I planned the menu, created the invitations, catered the whole thing, and even schlepped to the the L.A. flower market to buy the flowers. I designed every aspect, and executed it all by myself (with special help from cousin Molly and Megan from Honey and Poppies). It was a lot of work but well worth all the effort. One of the bridesmaids told me that the it was the best bridal shower food she’d ever had, and although she qualified “best food” with “bridal shower”, I choose to consider it the highest of praise. Most importantly, Ashley loved it.

As guests arrived, they were greeted by a small flower arrangement that Megan made of hydrangea, roses, dusty miller and licorice displayed in a vintage wine glass (below, left). I repurposed a small wooden ladder (perhaps you remember when it was yellow?) by spray painting it a satin-finish pink. I secured a damask pattern scrapbook paper print to foamcore board, and used decorative brads to attach cardstock with Welcome printed on it. I then fastened a ribbon to the back of the foamcore, and hung the small sign from the glass. I’m no graphic designer (although I fancy myself one), so for the invites, I bought some scrapbook paper that I scored into a tri-fold using my indispensable Martha Stewart scoring board (I like to think of myself as a younger, hipper, more socially conscious, urban Martha), and printed the invites in the fanciest font I could find.

For the centerpieces, Megan and I used hydrangeas in shades of pink and peach as well as stock, peonies, lisianthus, snap dragons and roses. She also incorporated dusty miller and licorice from my garden. (I like to think I helped a lot, and not in the way my kids “help” when I’m cooking.) The centerpieces were displayed in footed glass urns from Megan’s personal collection.

For the backdrop (above and below left), I hung a large white sheet from a photography backdrop stand and overlaid inexpensive gray broadcloth secured with ribbon to create a draped look. The tablecloth was just inexpensive broadcloth (about $2.99/yard). For the bunting on the front of the table, I made a template out of foamcore board. I used the template on 12″ x 12″ scrapbook paper and overlaid the cutouts on contrasting paper (actually, this is the part Molly did), securing them with double stick tape. To secure the squares to the pink ribbon, I spray painted binder clips in a glossy pink.

For the brunch, I made baked French toast casserole (excellent and easy, and extremely high-calorie), egg and sun-dried tomato souffle (delish and simple, but not for those on a diet), rosemary potatoes, berry salad, a yogurt bar, homemade biscotti, homemade banana crunch muffins, and a bellini bar (friggin’ fancy).

Look closely…See how I put the French toast label in front of the egg casserole and the egg casserole label in front of the French toast? Yeah, well, I didn’t notice until it was published in The Knot Magazine.

Ashley’s husband-to-be is a yoga instructor, so we thought it would be fun if we handed out flash cards with various yoga positions and had all the guests what position Ashley was in. It was equal parts goofy and fun.

For the ribbon backdrop (below), I stapled ribbons of varying widths to a horizontal piece of ribbon and printed out L-O-V-E on 5″ x 7″ cardstock.  Ashely knew exactly what she wanted for her cake, and although I’m a little out of practice with my piping, I think it was up to her standards.

Special thanks to Chatti for taking the photos. Event and cake design: Erica OBrien of Erica OBrien Cake Design ( www.ericaobrien.com ) / Flowers: Megan Gray of Honey and Poppies ( www.honeyandpoppies.com ) / Photos: Chatti Phal of Savady Photography ( www.savadyphotography.com)

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Damn You, Reality TV. Thank You, Reality TV.

This post is an editorial, so no fancy pictures, just my thoughts. However, unlike most editorials that take a definite position, this one is filled with ambivalence.

When I tell people what I do for a living, their first question is always, “Oh, so do you watch the cake shows?” I know just what they’re referencing, of course: The Cake Boss, Ace of Cakes, the Food Network Challenge, Amazing Wedding Cakes, etc. The list seems to constantly grow with no end in sight.

Many cake artists, particularly those who began before the birth of the “cake shows”, hold them in a certain disdain, feeling that they trivialize the art, have caused a saturation in the market, and distort the amount of work involved in creating a cake.

And they’re right: Reality shows like The Cake Boss, Ace of Cakes, and even the Food Network Challenges edit many hours of work into 60 teeny tiny minutes (48 if you don’t count the commercials). In reality (or perhaps I should say real life), the cakes you see on television take many, many hours of work. Even for the Food Network Challenges, in which competitors are limited to eight hours of work time, the designers spend countless hours beforehand preparing for the competition. And anyone who’s ever even attempted to decorate a cake knows that 60 minutes flies by at light speed.

Since the birth of the cake shows, custom cakes have become commonplace if not mandatory. I have seen a definite increase in the number of custom cakes, not to mention sculpted cakes, ordered for events that used to require a sheetcake. What fans of the shows don’t often realize, however, is how much work a cake entails, so when they request a Prada shoe on top of a basketball held by an iguana, they are usually shocked by the cost.

As for the saturation of the market, many new cake design businesses have popped up since the preponderance of the shows, but this need not be seen as a negative. While some cake designers argue that competition is bad for business, I maintain that it actually forces us to raise the bar. Like any business, without competitors, we risk becoming complacent. Rather than being stagnant, competition forces us to better our skills and become better artists. Competition offers an incentive to innovate, too, so that new products are constantly introduced and are made more widely available, making us more efficient.

Although some cake artists resent that reality television has elevated a handful of cake designers to  celebrity status, I’m glad our work is finally being recognized for the fine art that it is. The difference is that unlike a painting or a sculpture intended to endure for time immemorial, our work is designed to be temporary. For a lucky few, reality television has captured their art on film and will preserve their work, if only in the public’s consciousness, indefinitely.

Oh, and by the way, I’m way too busy to watch the cake shows.

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New Classes Just Listed!

We’re excited to announce our first classes at our new location! As of Wednesday, we’ll be the official lessees of 1242 Whitney Avenue in Hamden, CT 06517. We expect it to take at least two months for our official opening, so we’ve listed our classes beginning in late January, 2012.

Our first course will be our Tier I, Introduction to Cake Design Class.

We’re also excited to offer a Fondant Intensive for the first time. In this class, I’ll share all the tips and tools that give fondant-covered cakes a flawless finish. Students will learn various fondant techniques (ruffling, simple flowers, bows, etc.), practice covering real and faux cakes, and engage in a troubleshooting session. students are encouraged to come with lots of questions. This six-hour intensive is perfect for students who live in New York (1.5 hours away) and Boston (2 hours away).

Our classes make fabulous gifts (plus, chances are you’ll get lots of cake out of the deal), so please contact us if you’d like to give a class as a gift.

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Cake Trios (and a Couple of Quintets)

I’ve noticed lately that one wedding cake is no longer sufficient. Here are some cake trios we’ve worked on recently (although not thatrecently, because my roses have gotten considerably better).

And who could forget this classic?

Does five count as a trio?

I think I spot a trend.

Photo credit (from top): Lane Dittoe, Braedon Flynn, Henry Chen, T & H Photography, and Ja Tecson.

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