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Goodbye, California

Today is my last day before I move to Connecticut from California after almost six. I’ve met a lot of wonderful people, and I’ll miss them all, but I wanted to say a special goodbye to some of the friends and family who mean the most to me here.

My Father-In-Law, Pat
Pat is generous to a fault, ridiculously tolerant of others, and extremely forgiving. Over the years I’ve passed no fewer than four of our pets on to Pat, and he’s loved even the most unlovable amongst them. My daughters love him wildly. I would not hesitate to call him if I were stranded somewhere, and the last time I flew back to California from Connecticut, he picked me up at LAX at 1:30am even though he had to work the next morning at 5. He’s not the type to say “I love you” or “I’m proud”, yet there is something so warm and loving about him you just know without a doubt that he does.  So thank you Pat, for being a wonderful father, grandfather, and father-in-law. I love you. And what’s not to love about this?

My friend Christina
Christina has a very special talent that enables her to complain about just about anything. Comment on the beautiful weather, and she’ll complain that she can’t wear her hoodie. It’s actually a rather endearing quality and she has a good sense of humor about it. She’s the most dedicated teacher I know, and I have tremendous respect for her professionally. Plus, her husband is on my highly regarded Top 10 Funniest People I Know list. She has twin boys now, and I have two kids, so things are a little different, but she’s been a really good friend. We couldn’t be more different, but I love her just the same. I’ll miss you so much Christina.

Right: Christina–wearing her hoodie, of course–with her twin boys.

My friend Megan
Megan pushes me creatively and challenges me intellectually. She’s the Lucy to my Ethel (albeit a post-Little Ricky Lucy who couldn’t get into too much trouble), and she’s way more hip than I’ll ever be. Her house is sort of like a museum, filled with interesting things you’re just not cool enough to have in your own house. She and her equally hip husband have a cat, Abigail, whom they’ve not only assigned a very human personality but also a very human voice. It’s too bad I’m moving, because although Megan currently refuses to do the Abigail voice for me, I’ve been inching closer and closer to persuading her to do it. All I needed was a few more months and the aid of a few margaritas, and I’d be having a very intellectual exchange with Abigail.

Frank
Frank is the guy you call to ask if he knows a guy that knows how to: fix a dishwasher; replace an alternator; repair termite damage; move your entire household across the country; etc., but instead of referring you to someone else, he’s over in an hour to do it himself. He’s one of the warmest, most generous people I know. He’s got two solid, grounded sons and a baby granddaughter who is sure to adore him and incredibly lucky to have him. He’s everything you would want in a friend, in a dad, or in a repairman,. My husband and I are eternally grateful to him and will miss him immensely. Thank you Frank, for everything.

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BRIDES Magazine’s Most Beautiful Cakes {Part II}

Back in May I wrote about two of the sketches I submitted to Bride’s Magazine for their Most Beautiful Cakes issue that were ultimately rejected. I was sworn to secrecy on my two other design submissions, but now that the issue is on newsstands, I’m free to share.

I love interior designer Jonathan Adler. His Nixon rug, left, is a favorite of mine, and I thought it could be fantastic on a cake. I wanted to juxtapose the edginess of the geometric print of the rug against something soft and romantic, like garden roses. Below right is the mood board I submitted.

And the sketch of the cake I envisioned:

My second concept was also based on interior design elements. I really like Ethan Allen’s starburst mirror (below), and thought it would work well against a neutral color.

Here’s the starburst mirror sketch:

The next step in the process once the design was accepted was to submit a sugar “tile”–a flat piece of fondant (I backed mine with foamcore board) approximately 8″ by 8″. Brides editor Maria McBride–yes, that’s her real name–wanted to see the Adler cake with both the garden rose and the starburst mirror.

For the Adler pattern, I commissioned a stencil which I airbrushed onto the fondant tile using a custom-mixed color. Below left, my sugar tile with the Adler pattern and starburst mirror (yes–it’s broken. I realized after I packed it that I hadn’t taken a picture and as I was taking it out of the box, I smashed it), and below right my rather un-gardeny garden rose, a work in progress.

Within a week or two of submitting my tile, and to my great surprise, I got an email from Ms. McBride saying that they wanted me to create the Adler cake with the starburst mirror for the BRIDES Most Beautiful Cakes shoot on May 10th in New York. There was still no guarantee my cake would make it into the magazine, since shipping disasters and design difficulties have been known to render even the most perfect of cake concepts unworthy of print. I wasn’t taking any chances: I booked my ticket to New York and delivered my cake personally. After waiting for what seemed an excruciatingly long time, Maria McBride emailed to say the Adler cake had been accepted for print. I’m proud to announce that our cake is now one of BRIDES Most Beautiful Cakes! Below, the cover and inside of the September, 2011 BRIDES Magazine.

And an individual shot of our Adler cake as seen on the BRIDES website:

Thank you to the wonderfully supportive people in my life who rooted for me, got their hands blue for me (my husband Cory and friend Megan of Honey and Poppies), watched my kids for me (Mom, Pat), and insisted on driving me, paying for all tolls and gas, and saying she had fun (my sister, The Soup Girl).
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On Purple Fondant

If you work with fondant–and since you’re reading this you probably do–you’ve likely found that purple fondant quickly fades to a shade of blue that barely resembles its formerly purple self. I was researching the issue and came across this Flour Confections blog post which I read with fascination.
The post begins:

Roses are red
Violets are blue
My purple fondant is fading
Is this happening to you?
With their permission, I’ve paraphrased the rest of “Why Is Purple Making Me So Blue?“ here:
When the FDA banned Red Dye No. 2 in 1976 after it was linked to cancer, the FDA-approved Red Dye No. 40 took its place. Compared to Red No. 2, Red 40, as it’s known in the industry, is less stable, more expensive, and requires anywhere from 30%-50% more color to achieve proper saturation. Red 40 is UV intolerant, so any UV light (including bright lights) will cause it to fade. Because purple is a mix of red and blue, when the red fades, the blue remains, and your purple fondant turns blue .
To prevent fading, store purple fondant and gumpaste out of the light, in a dark bag or container and in a cupboard. Keep finished cakes, flowers, decorations, etc. in a dark place for as long as possible. According to Lisa of Flour Confections, cakes that are airbrushed purple do not fade, so consider airbrushing your fondant purple instead of kneading in purple food coloring. You can also use a more stable colorant. SugarFlair colors are more concentrated than other food colors and their Grape Violet contains E122, a more stable red than Red 40. [Note: Sugarflair colors are not FDA approved for food use. I couldn't find them for sale in the U.S., but they are widely available in Australia and Britain.]

Finally, when the pH of your fondant or gumpaste is not balanced, the red can fade out. To balance the pH, you can add an alkali such as baking soda. A good ratio is 1 tsp of baking soda per 1 lb of fondant or gumpaste.
 
This brings me to my blog post. I wanted to see for myself the effect of baking soda on purple fondant, so I conducted a little experiment.

I used both Wilton’s Violet and AmeriColor’s violet to test whether they fade differently. I colored a small amount of Satin Ice fondant. (I specify the fondant brand because I didn’t test to see if different fondants react with the color differently and fade differently.) The Wilton (on the left) is more of  a true purple while the AmeriColor (right) is more of a periwinkle with a strong blue appearance.

I then added 1/4 teaspoon baking powder to 14 grams of each color (a much higher ratio than that recommended by Flour Confections) and left the remaining purple unaltered.
To ensure that the fondant would dry evenly, I rolled each piece to the same thickness using my KitchenAid pasta attachment.
The baking soda didn’t change the Wilton color at all at this point, but as soon as I kneaded the baking soda into the AmeriColor purple, the most fascinating thing happened! The AmeriColor turned from a periwinkle into a true purple. I couldn’t believe it!
 

I then set them directly in the blazing sun for an hour to see what would happen. (Note where the shadows from the food coloring containers are. These areas did not fade as much as you will see in the final photo.)

After an hour (give or take–I kind of forgot to time it), these are the results.

The unaltered AmeriColor purple (far left) actually retained the red (and remained more purple) than the AmeriColor with added baking soda. The Wilton fondant with added baking soda (far right) remained more true to color than the fondant without baking soda. For both brands, the fondant that was in the shadow of the food coloring containers held up way better than the fondant in the direct sun, demonstrating the importance of keeping purple fondant away from UV light.
Conclusions. Keep purple fondant away from UV light to prevent fading. Always do a test strip both with baking soda and without to determine the best way to retain the purple color. Note that other brands of fondant might react differently with purple and might fade differently. Know that some fading is unavoidable. And, of course, hope for the best!
Thanks so much to Lisa and Flour Confections for doing all the research and for allowing me to paraphrase their post. Their efforts have helped countless cake artists.
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East Coast Bound

I could go on and on about how we came to this decision and why, and I probably will at some point, but for now I just want to officially announce that we are moving back to the east coast on August 25th. I will greatly miss my friends and colleagues here in California, but I’m also excited to be near my family and lifelong friends back home. We’ll be setting up shop somewhere around New Haven, Connecticut.

Over the next few months, as I establish my business in our new location, I’ll be working on a few special projects, getting organized, and blogging. Lots and lots of blogging. I look forward to sharing this next chapter with you.

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Our New Website!

I’ve waited a long time for this. Our new website went live on Friday, July 29th. It took a day or so to work out some kinks, and I might have gotten a little overzealous on the image sizes in the galleries, but it’s here and I love it. I’d like to thank Joe Renteria of Webpage Dynamics, who held my hand through my first website five years ago and exhibited tremendous patience and understanding this time around too. Thank you Joe! Also, I am extremely grateful to my friend Alison Neuru, who translated her skills as a post-production photo retoucher into website designer. Lastly, thank you to Monica Majors of Paper Cut Industries who skillfully designed our new logo. I am fortunate to have such wonderful (and talented and savvy) friends.

Here’s a screen shot of the brand spanking new Erica OBrien Cake Design site. (To see the rest, please visit our site.) I hope you love it as much as we do!

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Brides: What Does Your Wedding Cake Tasting Say About You?

Watching couples interact at their wedding cake tasting fascinates me, and I’ve always thought their behavior reveals a lot about the dynamics of their relationship. Here, in absolutely no scientific terms, I’ve identified five types of couples based on my casual observations. Which couple are you?
{1} Romantic. This mushy-gushy couple feeds each other cake and icing. Their wedding cake tasting is like a romantic date just for two, and it doesn’t matter who else is present. They might even kiss midway through their tasting. They are very much in love, and don’t hesitate to show the world.
If this describes you, here’s the best part: It’s wonderful! You should be romantic at every opportunity, and you take full advantage of it. You’re deeply and truly in love.

But keep in mind: Your intimacy can make others feel uncomfortable or left out. Try to be aware of how your behavior might make outsiders feel.

{2} Egalitarian. Everything is discussed, every aspect of the wedding agreed upon. For the tasting, this couple confers on which flavor to try first, second, and so on. (Because tastings at Erica OBrien Cake Design are deconstructed–un-iced cakes with icing on the side, as in the photo to the right–there is a lot to agree on.) For the egalitarian couple, nothing is done without consulting the other party and coming to a consensus.

If this describes you, here’s the best part: You probably eliminate a lot of potential areas for resentment. Your relationship is mature and based on mutual respect.

But keep in mind: It’s okay to step into traditional gender roles once in a while. It can be nice when someone opens the door for you, and it’s okay to cook dinner for your husband sometimes just because you love him.

{3} The man’s man. This couple has to schedule their cake tasting on a Saturday because his Sundays are all booked up with football. He considers cake the fifth food group, and you can tell by the way he powers through all the samples. Luckily, she finds it irresistibly charming and endearing.

If this describes you, here’s the best part: He’ll be happy to fix stuff around the house and assume responsibility for all the traditional male chores. Plus, he’s happy to let you do all the decorating. He’s likely to be a wonderful and protective father.

But keep in mind: When it comes to other aspects of the wedding planning process, he might be less than interested, and he might see nothing wrong with displaying his signed baseball collection in the living room.

{4} The mama’s girl. She shows up to her wedding cake tasting with her future husband and her mom. She relies heavily on her mom’s input, and allows her to make some of the major wedding decisions. She might value her mother’s opinion more highly than her fiancé’s

If this describes you, here’s the best part: You’re probably very close with your family and have an excellent relationship with your parents. You’ll make a loving, nurturing mother.

But keep in mind: A marriage is between two people first and their families second. Don’t let your close relationship with your family come between you and your husband.

{5} All business. Don’t get me wrong, wedding cake is serious business, but your tasting should also be fun. This couple approaches their wedding cake like they would any business transaction, weighing the pros and cons, considering all their options, and carefully adhering to their budget. They don’t allow their emotions (or taste buds) to get the better of them.

If this describes you, here’s the best part: You’re probably excellent with money and will enjoy a comfortable life and retirement together.

But keep in mind:  Planning your wedding–or for that matter, your life–should be a fun adventure. Remember to enjoy the process.

Did we miss anyone? If you think you fit a category not described above, please let us know.

Gratitude and thanks to my friend and colleague Charla Brummel of Charla Blue Photography for the photo above.

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Introducing Our New Look

You may have noticed that our blog has a new look. Our website will soon be revamped as well. Please visit Erica OBrien Cake Design soon for updates.

Skilled artisans make their craft look easy–effortless even. A good musician offers no indication of the hours and hours of time spent practicing. The same is true for cakes. I often get calls from potential clients–fans, no doubt, of popular television shows like Ace of Cakes–who request a cake for 30 guests in the shape of a Prada shoe sitting atop a Ferrari. When I tell them the price, they’re floored. I don’t blame them: On television, a 40 hour job is edited down to 20 minutes. Combine that with the artists’ expertise, and a challenging cake design looks ridiculously easy.

Logo design is no exception. Effective logos are eye catching, artistic, and memorable, all while accurately representing the organization or business. If you’ve ever thought, “I could do that myself”, you’d be wrong. There is a whole process to logo design. There are fonts to consider, issues of balance, design principles and theories, not to mention the psychology of branding. Color, I found out, is the last step. A good graphic designer, like any artist, makes the whole process look deceptively simple.

I turned to graphic designer Monica Majors of Paper Cut Industries to design my new logo. Hers is an in-depth process that begins with a questionnaire (I just love a questionnaire) about your business. The answers help her identify your style, taste, brand, and look. Then, after careful consideration, she presents “Round 1″ of your logos.

Round 1 includes three options, all in color and black and white. A good logo, Monica explained, should stand on its own and not be dependent on color. She further fine tunes and tweaks the logo in subsequent rounds until she arrives at the perfect design.

These are my “Round 1″ logos. I really liked Option No. 1, but I wanted the logo to somehow be more symbolic of cake. I asked Monica to create variations of Option No. 3 using different fonts and colors.

I narrowed down the colors to pink and a greenish aqua. I liked the round shape because I felt it best represented cake. I thought perhaps we could create a border around the circle to symbolize the piped border found on a cake. Here’s “Round 2″.

Finally, “Round 3″. My idea for a piped border around the logo didn’t have that “clean” look I really like, so we scratched that. While I like a lot of the script fonts Monica chose, they too lacked the streamlined style I’m known for, so I opted for two different sans serif fonts. I had a really hard time choosing between Option No. 3 and Option No. 6 in the Round 2 logos, but I finally settled on Option No. 3. In Round 3, Monica recreated the final design in a variety of color combinations.

And finally, introducing my new (larger-than-life) logo.

Thank you so much Monica. I love it.

Please note: All images are copyright material of Paper Cut Industries and are not intended for reproduction without their express written consent.

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Tricks of the Trade: Reviving Old Fondant

Once your fondant is past its prime, there’s really nothing you can do to restore it to its formerly silky smooth state. However, while it will never be perfect, there are a few things you can try to make old, dry fondant workable again.

1. Glycerine. Glycerine is an ingredient in fondant that keeps it pliable and prevents it from drying out too quickly. (For a fascinating, scientific explanation of glycerine’s role in keeping fondant flexible, read this post on Joe Pastry’s blog.) Glycerine is a humectant (a moisture-retaining substance), so the molecules in glycerine bond with and trap water molecules, keeping your fondant moist (Source: Joe Pastry, 2008).

It’s one of those ingredients you can buy in a drug store (as a humectant, glycerine also keeps hair and skin moist) for a fraction of the price of a cake decorating store. If you’re willing to forgo the fancy branding you can get a quart-sized bottle of Essential Depot glycerine (below, left) on Amazon for $13.95; the 2-ounce bottle of Wilton glycerine (below, right) is around $5. At just .43 cents per ounce, the Essential Depot is a much better value than the $2.50 per ounce Wilton glycerine. Just be sure that if you buy glycerine that’s not specifically marketed for cakes it says “Food Grade”.

To use, simply knead a little glycerine in to your fondant. Begin with about a teaspoon per pound of fondant, and work quickly to knead it in. This will buy you some time before your fondant dries out, but not much. Re-roll and apply your fondant.

Glycerine can also be used on fondant that’s been rolled out and applied to a cake but has a dry cracked appearance, sometimes known as “elephant skin”.  Gently rub glycerine onto the cracked fondant using the tips of your fingers, taking care not to rub through to the cake.

2. Shortening.Usually known by the brand name Crisco, hydrogenated vegetable oil (shortening) is 100% fat (as opposed to butter, which is about 80% fat). Kneading a small amount in to your fondant can make it smoother and easier to work with. Be very careful: adding too much can make your fondant heavy and stretchy. (If this happens, add additional corn starch or sifted confectioners sugar and knead in until the proper consistency is restored.) Shortening, like glycerine, can also be rubbed onto cracked fondant after the fondant has been applied to the cake to remove the appearance of elephant skin.

3. Food Processor. The food processor method works especially well for smaller pieces of fondant. Simply place a small amount of fondant into the bowl of your food processor and pulse. The blades of the food processor with heat and soften your fondant, making it easier to work with. (This is also a good method for coloring fondant: Just add your food coloring along with your fondant to the bowl of your food processor and pulse.) The food processor will most likely break your fondant up into small balls which can then be easily gathered and kneaded together. Be sure not to put rock hard pieces in the food processor. (I learned the hard way that this can cause irreparable damage to your food processor.)

4. Microwave. The microwave is the absolute last resort. If your fondant has become so dry that kneading becomes virtually impossible, 30 seconds or so in the microwave will heat it enough to make it kneadable again. (Do test your microwave first using 10 second intervals.) However, this is a one shot deal. You have to work quickly to roll out your fondant and cover the cake, for once microwaved fondant cools down, your fondant will become even drier–almost crumbly–and cannot be used again.

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Ruffle Cake, Three Ways

I can never predict when design inspiration will strike, but when it does–in the children’s section at Target, searching the internet for office supplies, driving on the 405 Freeway–I feel compelled to recreate it in cake almost immediately. Next thing I know, I’m racing to my studio to execute the design. Sometimes, but not always, I actually like the result.
Ruffle cakes are usually covered completely in ruffles. Why not, I thought, be more subtle with my ruffles, using them only as an embellishment? The first cake was inspired by the ruffle bibs popular on shirts right now, like this one I saw on Ruffles and Stuff.
The next ruffle cake started off sort of mauve. Note: Shades of purple fondant change and fade rapidly and unpredictably. Whenever I make a cake with any shade of purple, I always do a test strip in advance. (Roll out a small piece of fondant and allow to dry. This will give you a more accurate idea of what your purple-tinted fondant will look.)

I’ve always loved those rocks with words etched on them, and attempted (rather unsuccessfully) to make them out of fondant. (I’ll have to give this another try at some point.) I wanted this ruffle to be vertical, like the ruffles on the pillow below, but it needed something else so I added a ruffled rosette.

I didn’t know it when I created this last cake, but after searching endlessly on the internet for the image that inspired it, I realized that the inspiration actually came from one of my favorite shirts of my daughter’s when she was just born. Although it was a deep green, it had three small horizontal ruffles on the front, just like the top tier in the cake below.
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How I Got Started in Cake Design {Part II}

Growing up, we usually got ice cream cakes for our birthday parties. (My mom was always really good about ordering them in advance so we could special-order the flavors we wanted rather than having to settle for the pre-made ones.) Although I remember not liking cake much–it wasn’t until I was much older that I understood how good a cake made from scratch and filled with French buttercream can be–you couldn’t tell from this picture of me in 1973 at four years old:

Okay, so I started cake design with Wilton, and I was pretty good. (You can read How I Got Started Part I here.) I got a really solid foundation from the Wilton classes, but I was well aware that Wilton is sometimes frowned on in the cake industry as somewhat amateurish, and, truth be told, it made me self-conscious. So I went on to take more professional-level classes at various schools in New York City. I remember once, at a gumpaste flower class at The New School, the instructor asked us to introduce ourselves and tell a little about our cake design backgrounds. I sheepishly mentioned that my only cake design experience thus far was with Wilton, to which she replied–and I’ve always been grateful she said this–”Everyone starts with Wilton!” I never felt self-conscious about my humble beginnings again.

I was introduced to fondant at a store in Jackson Heights, Queens, where I bought a lot of my supplies. Fondant had already gained popularity in South America, and was widely used in England and Australia. I liked the look of fondant and took the class. This was my first fondant cake (again, very Wilton), for my sister’s baby shower. My nephew (my sister’s first ”baby”) is almost 10 now, so I guess I did this about 11 years ago.

Once I had the designing down, I had to tackle the baking. At first, I used box cakes. Real cakes seemed too intimidating, and besides, everyone told me they liked my cakes better when I used Duncan Hines. (With all those yummy artifical flavors and preservatives, could you blame them?) I finally took a cake baking class at ICES, and realized that the problem was both my technique and my recipes. Cake baking, unlike cookie baking or other types of cooking, is a true science. There’s no such thing as eyballing measurements, adding a pinch here or a tweak there. All of the ingredients in a cake interact in very specific ways, each causing different chemical reactions, so it is absolutely imperative to follow a cake recipe exactly and measure accurately. That said, just because a recipe is in print, doesn’t mean that its been tested or is even very good. It took a lot of experimentation to find recipes that worked for me. I didn’t invent my own (although my carrot cake does have a secret ingredient), and I am happy with the recipes I now use.

I specifically remember that this cake, from 1996, was a Duncan Hines yellow cake.

An old boyfriend bought me my first KitchenAid, and it served me well until, at age 35, I met my soon-to-be husband. He was 25, lived with his dad, worked only part-time, and owned his very own KitchenAid. I fell in love and moved to California to be with him, bringing my KitchenAid along with me. (We eventually sold mine for fear that it would bring bad karma.) I got a job teaching at a high school in Los Angeles and made the mistake of announcing to my students on the first day that I was from New York, thinking they’d find me cool. Instead, things rapidly deteriorated into a Biggie Smalls vs. Tupac style rap war, with me representing the east coast and my students the west. You’d be amazed how often our coastal difference surfaced, and my focus on New York history only confirmed their suspicion that I thought the east coast superior. (The fact that I was teaching early American history and most of it takes place on the east coast was a moot point.) I went home crying almost every day.

This is where the zaniest, craziest thing I ever did for cake comes in. You can read more about it here.

I’ve been at it for about 15 years, and I’ve come a long way. At first, I did cakes for free, for $10, for coworkers, for family, and for friends. I practiced for 10 years before I had the confidence to do it professionally. Once, when a magazine contacted me and asked if I had any designs inspired by family heirlooms, I lied and said yes. I made four cakes in a day, had my husband photograph them, and got three of them published. I’d be lying if I said I’ve never had a disaster befallen one of my cakes (more about that in a future post), but I’ve learned so much from every single one. And the best part is, I’m still learning.

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