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Fall Inspired Cake

Last July, I went to a birthday party and saw a little girl wearing this adorable Gymboree dress:

Obviously, I was left with no choice but to make it into a cake: a fall cake with edible miniature fruits and matching mini loaf cakes, and accompanied by the gorgeous blooms of Honey and Poppies. (If you notice a slight change to the colors, you can thank Megan, my creative yet bossy co-conspirator from Honey and Poppies. She didn’t like the blue and made me change it.) This shoot was featured on The Wedding Chicks. Special thanks to April and Amanda from April Smith & Co. Photography for their skill with a camera.

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Dandelion Cake

It’s always interesting when a couple comes to me with a collage of cake photos to use for inspiration. My challenge is to find the common design element that links them all together. Sometimes, the commonality is a color palette. Other times, there is a design theme, and still other times it’s a combination of the two. Devin and Brian brought these cakes to me. (All photos courtesy of http://www.theknot.com/).

Initially, I was stumped. Then I saw their invitation suite:

Mystery solved! Most of the cakes in the collage contain the same sage green found on their invitations. Devin was also really drawn to the birds on the second cake and wanted to incorporate them into the cake design. Here’s the sketch we agreed on:

And the final cake design:

Congratulations Devin and Brian!

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Penguin Cake

Claire and Nhu got married at the Aquarium of the Pacific in Long Beach, CA. They wanted to incorporate both their Save the Date and their invitation in their cake design.

Save the Date
Invitation
The sketch we created. 

We made the penguins out of fondant and allowed them to dry for about a week.

The cake!

Congratulations Claire and Nhu!

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Fiesta Cake

I am very critical of my work, so I’m always pleasantly surprised when I actually like something I’ve created. The Fiesta cake was for Quica’s 90th birthday celebration. I met with her daughter and granddaughter, and together we came up with the design based on the invitation by Wedding Paper Divas. The finished cake had Quica’s photo on it in an oval, beaded fondant frame. You can see some of the changes I made from the sketch to the final product.

A younger Quica. I love her lips.

The invitation design.

The sketch.

The cake.

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New Classes Just Announced!

Maybe it’s because everyone’s kids are back at school, or maybe it’s the preponderance of cake reality shows, but we’ve been receiving an inordinate number of inquiries about cake design classes. In response to the many requests, we’ve added to new classes to the schedule. The next Tier I: Introduction to Cake Design will be on Tuesdays in October, and the next Tier II: Intermediate Cake Design will be held on Sunday mornings beginning mid-October.

For more information, or to register for one of our classes, please visit our website: http://ericaobrien.com/classes.html.

Thanks!

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Wedding Cake Serving Chart

It’s always challenging to determine what size pans to use for a cake. Search the web and you’ll find that cake serving guides vary significantly. Earlene’s Cake Serving Chart shows that a 9″ cake serves only 22 guests, while Aztec Rental shows that it serves 32. I’ve always relied on an old Wilton chart. My print copy shows considerable wear and tear in the form of stray pen marks, grease stains, and random notes. See?

For whatever reason, it’s really hard to find the Wilton chart online, so I’m sharing it here for easy reference. Keep in mind that the standard wedding cake slice is 1″ wide by 2″ deep by 4″ high, much smaller than a typical birthday or party cake slice. I tend to use the more generously-sized party cake chart (email me for a copy–I couldn’t find it online) if the cake is for a party rather than a wedding. Oh, I should mention that I use only 2″ deep pans and don’t recommend using 3″ deep pans because they take too long to bake resulting in a dry cake. Here’s the chart.

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Diary of a Cake Design, Part I

I see the world in cake. I can’t help it! Everywhere I look I see fabric prints, magazine covers, china patterns, chandeliers, gift wrap, pillows, purses, greeting cards, labels, and logos all begging to be translated into cake. When I saw this photo in the Lowes Creative Ideas newsletter, I knew it had to be my next cake design. (The fact that there’s a slice of cake pictured is strictly coincidental. I swear.)

I really liked the idea of round objects in different shades of berry, and immediately thought of fabric flowers. I’ve been collecting random images for inspiration for years now and thought this one would work well:

See how this one has tiny words in the center? I imagine it on a wedding cake with words like love, honor, and dream. I hope to incorporate it into the design.

Below, the pencil sketch of the cake I plan to make using all of these elements as well as the paint chips I picked up for color swatches.


The design process is something that really interests me. This is the first post in a series (if two counts as a series) that will document my design process from start to finish. Check back soon (but not that soon) for Part II.

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Inspired by Oscar de la Renta

This photo shoot was inspired by Oscar de la Renta’s Pre-Fall 2010 collection. It’s not so much that I was personally inspired–I’m no fashionista as anyone who knows me (or for that matter sees me) can testify–but rather Megan, the artistic genius behind Honey and Poppies was inspired. I’m kind of into ruffles, so I went with it. (She’s a bad influence on me.) And, I didn’t even argue that Pre-Fall would techinically be summer.

Below, the inspiration board Megan created.

First, I came up with some sketches based on the inspiration board.

Then Megan (frickin Megan) suggested changing it up a bit, so of course I did. (She’s mean.)

Rather than a single cake, I created a collection of cakes, just as fashion designers create seasonal collections. (I guess you could call this my Post-Spring collection, just to sound fancy.) And if that’s not enough, Megan created some pretty amazing cake stands out of flowers.

Monica of Paper Cut Industriesmade the invitations.

The shoot was featured in Utterly Engaged, an online wedding magazine.

We shot at the Hotel Maya in downtown Long Beach, CA. It’s the kind of hotel that makes you think that if you stayed there for only one night you’d be just a little bit cooler than you were before.

Photographs courtesy of T and H Photography. Makeup by Yve Hart. Hair by Live Cut Die.
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Why Have a Wedding Cake?

The wedding cake is the most recognizable symbol of a wedding. It’s what beer is to baseball, what Elvis is to rock and roll, what rice is to sushi. A wedding just isn’t a wedding without the wedding cake. It’s the first thing people notice at a wedding (okay, maybe that’s just me, but still it’s important) and the thing they’ll remember most (again, probably just me).

Occasionally, I hear about a bride who decides not to have a wedding cake. Sadly, I understand completely. I’ve been to many weddings where the cake–cloyingly sweet with gloppy filling and crunchy buttercream–just gets pushed around the plate once it’s served, only to be tossed out like some used up napkin.

I freely admit that I’m a cake snob, and unless I made it, I rarely eat the cake at a wedding. Sure, I’ll try it, just to see what it tastes like, but in the end, I’d rather not waste the carbs on something that’s not appealing to me. It doesn’t matter how beautiful the cake looks. If it doesn’t taste good, it’s a failure for me.

Cake can be a hard sell. Many clients come to me with the typical bakery cake in mind, made with greasy shortening that leaves a film on the roof of your mouth and powdered sugar that crunches between your teeth. Some even let me know upfront that they don’t like cake. Before their tasting appointment, I’ll get an email that reads something like, “And just so you know, I hate buttercream.” Obviously, they’ve never tasted real buttercream–the French kind made with egg yolks, sugar, and butter, the kind that I make. Even traditional American buttercream that’s made with real butter still has the powdered sugar crunch. The sugar in French buttercream is cooked till it dissolves, so there is no crunch, only sweet, velvety, buttery yumminess. I always include a few buttercream flavors, even if the client doesn’t want one, just so I can see their surprise when they taste it. I’ve never had a client who didn’t like it. Ever. And my cakes? Made with real butter, all from scratch, and with high-end ingredients, they taste nothing like the cake they’re used to. I’ve built my reputation converting my clients and their guests from cake haters to cake lovers.

Why should you pay for a cake that no one is going to eat? The answer is, you shouldn’t. If you want your guests to eat the cake, it better taste good. But be advised that good taste comes with a price. Sure, you can get a less expensive cake, but in all likelihood it will have less expensive, and therefore less palatable, ingredients. If you don’t care what it tastes like, that’s fine, but if taste is a concern for you, be prepared to pay. Think about how much you would expect to pay for a good dessert at a restaurant. Now factor in the time spent for the designers’ expertise, the labor spent decorating the cake, delivery and set up, and that’s how much you’ll pay per person. Our cakes begin at $7 per serving. Some of the top designers in the industry charge as much as $20 per person.

Remember, you don’t have to give up on cake just to serve a delicious dessert. Your cake should be the delicious dessert. To ensure that it is, make a lot of appointments with different bakers. Almost every cake baker is happy to offer a complimentary consultation. Be sure to schedule a lot of tastings before you decide to work with a cake designer. Don’t get your heart set on a specific baker before you taste his cakes. At your consultation, taste the cake and fillings separately and together. They should both stand on their own but also pair well. Ask your baker lots of questions, and don’t forget to ask if he or she uses real butter. And lastly, don’t leave your guests wondering where the cake is.

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On Fondant, Gumpaste, Pastillage, and Mexican Paste

Between fondant, gumpaste, and pastillage, not to mention marzipan, Mexican paste and chocolate clay, it’s easy to get confused about sugar paste terminology. Throw in some British terms–like flower paste and sugarpaste–and it’s anyone’s guess. Below is a (hopefully) comprehensive list of the different sugar pastes used for cake design. For each, I’ve included a brief description, alternative names, suggestions for use, and my opinion as to whether it’s best to make it yourself or buy it. Note that these are the American terms. British, Australian, or other uses may be different. Know of any I missed? Please email and let me know.

Chocolate Clay

A pliable chocolate paste made from just two ingredients, chocolate and corn syrup, it has the texture of a tootsie roll or marzipan and is very easy to work with. Chocolate clay can be made with bittersweet, semi-sweet, milk or white chocolate (source: www.joyofbaking.com). Overhandling it will make the oils separate, causing the clay to become crumbly. Extreme heat can cause melting, so it is not ideal for certain decorations.

Alternate terms:
candy clay, chocolate leather, chocolate modeling clay, cho
colate modeling paste, chocolate plastic, chocolate plastique

Used for:
Most often used for figurines and to cover shapes made from rice cereal treats. Also used for ropes, braids, ribbons, ruffles, flowers, leaves, and sculpted cakes.

Buy or make:
Chocolate clay is so easy to make that for small batches it probably best to just make it yourself. For large batches, it may be easier (albeit more costly–$50 for 5.5 pou
nds) to buy. I’ve never used Cacoa Barry, but it is the most widely available commercially made chocolate clay.

Recipe:

7 ounces bittersweet chocolate, chopped + 1/4 cup light corn syrupor
7 ounces semi-sweet chocolate, chopped + 3 1/2 – 4 tablespoons light corn syrup or
7 ounces white chocolate, chopped + 1 1/2 – 2 tablespoons light corn syrup or
7 ounces milk chocolate + 2 1/2 – 3 tablespoons light corn syrup

Melt chocolate in a double boiler or metal bowl set over a pan of simmering water. Stir until melted and smooth. Remove from heat and stir until cooled a bit. Stir in corn syrup. (The chocolate will stiffen almost immediately.) Continue stirring until completely combined. Transfer to a sturdy plastic freezer bag and refrigerate until firm (about two hours). When dough is firm, remove from the refrigerator, and knead until soft enough to work with. If it is too hard, cut off small pieces, and knead until pliable. Well wrapped it will keep for months. If it gets hard to work with knead in a little more corn syrup until pliable

Note: To prevent the corn syrup from sticking to the measuring cup or spoons, spray or grease with vegetable oil before measuring. I never use candy melts in any baking as they are not real chocolate.

Source: www.joyofbaking.com

Fondant

An edible sugar dough that is rolled out and used to cover cak
es. Fondant dates to the Renaissance and was originally used in Britain to cover fruitcakes and seal in the freshness for shipping to the new world. Gelatin and glycerin keep the fondant smooth and pliable. Fondant dries firm, but not nearly as hard as gumpaste or pastillage, and therefore serves a different purpose.
Alternate terms:
fondant icing, ready-rolled fondant (British), soft fondant (British), rolled fondant, sugarpaste (British)

Used for: covering cakes, appliques, braids. Can be used for other decor, such as ribbons or bows, but needs more drying time than gumpaste or pastillage, so it is not ideal for this purpose.

Buy or make:
Definitely buy. I like Satin Ice. Here’s why.


Gumpaste
Gumpaste is similar to fondant, but the addition of gum tragacanth
(a plant-based gum; more about gums in a future post) gives the dough added flexibility, allowing it to be rolled much thinner than fondant for realistic-looking flowers. Gumpaste dries hard, unlike fondant, and is therefore NEVER used to cover a cake. It is superior to fondant for decorations that need to hold their shape, such as the handle on this purse cake on the cover of Confetti Cakes:
Homemade gumpaste flowers can take up to two weeks to dry, and need to be made well in advance of the cake decorating event. Gumpaste flowers are best stored in airtight containers in a cool, dark place. Heat, humidity and refrigeration can all soften flowers, even after they’ve set. Placing flowers on buttercream frosting, which contains fat, can also soften them (source: http://www.ehow.com).

Alternate terms:Flower paste

Used for: Flowers. Also used for decorations that need to dry bone-hard, such as three-dimensional decor and plaques. The plaque on top of Mia’s cake was made of gumpaste.Buy or make: Make. I never knew how easy it was to make gumpaste until I was introduced to Nicholas Lodge’s recipe. Two things to know are:  (1) You must follow this recipe exactly for best results and (2) Use ONLY the CAI–Confectionary Arts International–tylose. I have found that other tylose yields different results.

Recipe:
4 Large Egg Whites
2 lbs 10x powdered sugar
12 Level teaspoons Tylose 

4 teaspoons Crisco

1. Place the egg whites in a Kitchen Aid mixer bowl fitted with the flat paddle.
2. Turn the mixer on high speed for 10 seconds to break up the egg whites.
3. Reserve 1 cup of the powdered sugar and set aside.
4. Turn the mixer to the lowest speed and slowly add the remaining sugar. This will make a soft consistency royal icing.
5. Turn up the speed to setting 3 or 4 for about 2 minutes. During this time measure off the tylose into a small container.
6. Make sure the mixture is at the soft peak stage. It should look shiny, like meringue and the peaks fall over. 
7. Turn the mixer to the slow setting and sprinkle the tylose in over a five second time period. Next, turn the speed up to the high setting for a few seconds to thicken the mixture.
8. Scrape mixture out of the bowl onto a work surface that has been sprinkled with some of the reserved 1 cup of powdered sugar. Place the shortening on your hands and knead the paste, adding enough of the reserved powdered sugar to form a soft but not sticky dough. You can check by pinching with your fingers and they should come away clean. Place the finished paste in a zip-top bag, then place the bagged paste in a second bag and seal well.
9. Place in the refrigerator for 24 hours if possible before using to mature the paste.
10. Before use, remove from refrigerator and allow the paste to come to room temperature. Take a small amount of shortening on the end of your finger and knead this into the paste. If you are coloring the paste, add the paste color at this stage.
11. Always store the paste in the zip-top bags and return to the refrigerator when you are not using the paste. Will keep under refrigeration for approximately 6 months. You can keep the paste longer by freezing. Be sure to use zip-top freezer bags. If you will be freezing a batch of paste, allow it to mature for 24 hours in the refrigerator first before placing into the freezer.

Yield: About 2 pounds

Mexican Paste
Mexican Paste is ideal for cutting out shapes and modelling. It does not contain any glucose, glycerin,or gelatin, and therefore does not stretch or lose its shape when transferring the cut out shapes to the drying board. Similar to gumpaste. Not recommended for the easily frustrated.


Alternate terms:
None that I know of.

Used for:Letters, patchwork cutters, plaques. Patchwork cutters are available at globalsugarart.com. Here’s (a rather gigantic view of) my favorite:

Buy or make: According to http://www.cakefrills.co.uk/, Mexican paste is “very easy to make as it is basically [fondant] with Gum Tragacanth. Patchwork powder is commercially available, but it is so easy and much cheaper to make your own.”
Recipe:
Note: I have not tested this recipe.8 oz (or more) confectioner’s sugar
3 teaspoons gum tragacanth (DO NOT USE A SUBSTITUTE)
cold water

In a small bowl, mix confectioner’s sugar and gum tragacanth. Add 6 teaspoons of cold water.
Stir until mixture becomes crumbly but damp enough to bind together. Add a little more water if too dry, or confectioner’s sugar if too wet. Turn out onto a worktop and knead until pliable. Place into a plastic bag and leave at room temperature for 12 hours until firm. (The paste will feel very firm.) Break a small piece away and knead between your palms. Continue kneading between your fingers and repeat until all the paste is softened. Cut the paste into small pieces after it has been softened. Wrap each piece in plastic wrap and place all of the pieces into a plastic bag and place in freezer. Remove only the quantity required for defrosting. (Smaller pieces will defrost quicker.) Once defrosted, remove plastic wrap and store at room temperature in a plastic bag only. Never store the paste in a fridge. Knead the paste every third day to keep it pliable and to prevent the corners from drying out.

Tips for using Mexican paste with Patchwork Cutters:

  • Grease the rolling board with vegetable fat. Roll out the Mexican paste, but DO NOT LIFT THE PASTE OR TURN THE PASTE OVER WHEN ROLLING. The paste must stick to the board.
  • Grease the cutter well. Press firmly onto the paste.
  • Remove the cutter by flicking the edge. Always remove the cutter before peeling away the excess paste.
  • The paste should be cut cleanly. If the edges are ragged the paste is probably too thick.
  • The smaller the cutter the thinner the paste should be and the more vegetable fat should be used and spread over the smallest parts of the cutter.
  • Hot soapy water and a small brush will remove the fat once the cutter has been used.

Pastillage
Pastillage is rolled fondant without any of the softening ingredients (glycerine, corn syrup or shortening). It is used mainly for three-dimensional shapes because it dries bone-hard and crusts more quickly than fondant (source: Rose Levy Berenbaum, 1988.) It can also be colored or painted. You have to work very quickly with pastillage because it dries very quickly (source: http://www.baking911.com/). Below, a pastillage sculpture.

Depending on the mix, pastillage can be formed and sanded to remove any rough spots after it has completely dried.

Used for:
sculptures, showpieces, three-dimensional shapes, ribbons and bows

Buy or make:Pastillage is relatively easy to make. I haven’t experimented much with recipes other than Rose Levy Berenbaum’s (below). Different recipes will obviously yield different results.

Recipe:
1 tablespoon gelatin
scant
1/3 cup water

4 cups (lightly spooned into cup) powdered sugar

1/2 cup (lightly spooned into cup) cornstarch

optional: pinch cream of tarter

Sprinkle gelatin over water in a 2-cup heatproof glass measure and let stand for 5 minutes. Set into a small pan of simmering water and stir until gelatin is dissolved. (This can be done in a microwave on high for a few seconds).

Combine the sugar, cornstarch and optional cream of tartar in a large bowl and make a well in the center. Add the gelatin mixture and stir with a lightly greased wooden spoon until blended. Mix lightly with greased hand and knead vigorously in the bowl until most of the sugar is incorporated. Turn onto a smooth, lightly greased surface (such as Formica or marble) and knead until smooth and satiny. If the Pastillage seems dry, add several drops of water and knead well. If it seems too sticky, knead in more powdered sugar. The Pastillage will resemble a smooth, well-shaped stone. When dropped, it should not spread.

Rolled Pastillage may be used at once but seems to work more easily when allowed to rest for several hours. It is important to keep Pastillage covered to prevent it from drying. Wrap tightly in plastic wrap and place in an airtight container. It will firm slightly upon standing.

When ready to roll out, spray the work surface and rolling pin with nonstick vegetable spray.

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